“I think there’s a huge demand for people to have opportunities to still be seen, to be loved, to be understood by somebody else. So I don’t think love changes, it just gets stripped down to what’s essential.” And what’s essential, he says, is companionship.
“It’s not what’s left of love – it’s what love is all about.
- mactching dating site
- casual dating club seattle
- email validating regular expression
- Mumbai sex dating sites
- Free young sexy chat room
“Life goes on, and the ones who don’t let life go on are the ones who shortchange themselves.” As much as this film is about love, it’s also about resilience.
“I’m virile – I’m ready,” says Matt, who trails his oxygen tank through his speed dating experience. “You just have to say when my time’s up it’s up and go for it. “But this is who I am, and I think it’s better just to be me.
They’ve all signed up for a senior speed dating event that Loring has picked as the locus for his exploration of love and how it changes – or doesn’t – as we age.
Many interviews and hours of filming later, when “The Age of Love” premiered in April 2014 at the Newport Beach Film Festival in California, one audience member called it “the best reality show I have ever seen.” That might be because the film is an immensely honest look at ordinary people who find themselves unexpectedly looking for love later in life.
NEW YORK -- An amateurish comedy that sets up straw-man playboys to knock them over with the power of love, "Speed-Dating" seems designed to exploit the black indie theatrical circuit but hardly merits even a DVD release.
From its overwhelmingly beige visual palette to a script with no clue how to connect cause to effect, the movie is as clumsy as its heroes' badly explained scheme to get laid by running a Speed Dating night at a nightclub they own. Producers: Mekita Faiye, La Monde Byrd Executive producers: Faye Banyard, David Woessner, Mikhael J.
“These are people who thought they would be married to one person for the rest of their lives,” Loring says in reference to the generation of seniors that “The Age of Love” features.
“They didn’t expect to end up speed dating.” And that’s what interests him.
The two central ladykillers will, of course, meet women who tame them but only after a parade of misogynist and homophobic cliches that are interrupted by bizarre subplots whose cluelessness about mental illness and homelessness will give offense on those fronts as well.